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"Another almost magical component of the script constellation is that I can speak with my characters. I ask them questions that I've been burning to ask them. I can look my hero in the eye and ask her a real, indiscreet and sincere question. And she answers me. Honestly. It comes from the constellation's dynamics. (...) Just the way someone stands in the room reveals a limitless amount of information. In a script constellation we tap this resource, activate our sensors and sometimes make more progress in an hour than in one year."

Florian Henckel von Donnersmarck about his constellation for "The Lives of Others



A script constellation is an extremely useful tool for writers, directors, producers and film industry professionals of both, factual and fictional projects in any phase of script development. The method offers insights into the protagonists and their circumstances, revealing what lies beneath the surface. It can also reveal a project’s strengths and weaknesses and provides a creative push that will enhance the material. A script constellation can speed up the development process considerably and, if necessary, move the story into a new direction.

The Method:
Script constellations have developed from family and organizational constellations. However, here solving problems is not the primary goal. A script constellation rather reveals and elaborates the dramatic potential of the inherent conflicts. Constellations have proved particularly useful during the development of the story (treatment-phase). Other projects such as novels and plays can also benefit from the method. It can also be used to look at actual or potential obstacles in the process of financing a project.

What to expect:
We begin by working out the leading question of the constellation: ‘What, in particular, is this session for?’ ‘What do we want it to reveal or deepen?’. The author then chooses among the participants of the seminar those who will represent his protagonists or other aspects of the story, before placing them in room. Anyone can act as a representative due to his experience as a human being. In the course of the constellation, the representatives, based upon their proximity, distance or eye contact to one another, begin to develop physical reactions and feelings, which they are asked to articulate. Working closely with the author, the constellation continuously evolves according to what the author wants to know. After the constellation, there is the possibility to talk about what has happened and what it means for the process of writing and/or further research.

Claudia Gladziejewski has over thirty of years of film/TV business experience. She has produced numerous prize-winning films, including the OSCAR-winning classic THE LIVES OF OTHERS.
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